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It starts out with a strange, minor-mode opening with a downward motif played by the piano onto which the horn after which the violin add their own figures, ultimately coming together in a crescendo before falling away again a gradual diminuendo. One distinction with the Brahms Horn Trio is that Bolcom typically makes use of all three devices discretely whereas Brahms regularly has them play together, notably the violin and horn. Near the end of the movement, both tempo and volume are pulled back and Bolcom gives us odd, temporary, staccato stabbing notes as a rideout. You may almost name …

